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Just something different within my stash with the SLAT3-7 and a heavily modified COW7 both in black 
With the COW7 I never liked the TOM bridge height so it's been recessed like we're used to seeing with KXK guitars. It's also got a neck EMG and a 3 way toggle. It now has the similar feel to a recessed floyd rose which is what I was after.
The COW7 has a 60-7 and a 81-7 and have to say it sounds alive with these pickups. The stock 707 is just too loose in here. The 60-7 is very cool and gives me a great lead tone where the 81-7 is just awesome in the bridge. The SLAT3-7 has a 707x and 81-7 and this too is a different sound. The SLAT has a noticeable roundness from the rosewood fretboard compared to the ebony on the COW (or my other Jacksons).
Btw if you're in the LA/OC area all this work was done by Hugh at 13th Street Guitars in Huntington Beach. He made teh COW7 into a really awesome guitar with the TOM recessed.
Anyways pics.
With the COW7 I never liked the TOM bridge height so it's been recessed like we're used to seeing with KXK guitars. It's also got a neck EMG and a 3 way toggle. It now has the similar feel to a recessed floyd rose which is what I was after.
The COW7 has a 60-7 and a 81-7 and have to say it sounds alive with these pickups. The stock 707 is just too loose in here. The 60-7 is very cool and gives me a great lead tone where the 81-7 is just awesome in the bridge. The SLAT3-7 has a 707x and 81-7 and this too is a different sound. The SLAT has a noticeable roundness from the rosewood fretboard compared to the ebony on the COW (or my other Jacksons).
Btw if you're in the LA/OC area all this work was done by Hugh at 13th Street Guitars in Huntington Beach. He made teh COW7 into a really awesome guitar with the TOM recessed.
Anyways pics.
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