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Strat head VS Pointy head

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  • #16
    Re: Strat head VS Pointy head

    ...That tilt-Strat head looks like the old-school Warlock headstock from the '80s...pretty cool. Always thought that was a good idea though.

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    • #17
      Re: Strat head VS Pointy head

      Did you know that tilt-back headstock design contributes to guitar sustain? [img]images/icons/wink.gif[/img]

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      • #18
        Re: Strat head VS Pointy head

        How?

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        • #19
          Re: Strat head VS Pointy head

          I think it has something to do with the way the headstock is tilted back [img]graemlins/scratchhead.gif[/img]

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          • #20
            Re: Strat head VS Pointy head

            Go on...

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            • #21
              Re: Strat head VS Pointy head

              hmmmm i too have an uncle.... -Peter Griffin (the family guy) [img]images/icons/grin.gif[/img]

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              • #22
                Re: Strat head VS Pointy head

                from a physics standpoint, the tilt back headstock increases the downward pressure on the nut...i, too, have heard this somehow increases sustain but i'm not sure how...maybe the extra pressure gives a more stable surface for the string to ring longer?...d.m.
                http://www.mp3unsigned.com/Devane.ASP

                http://www.mp3unsigned.com/Torquestra.ASP

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                • #23
                  Re: Strat head VS Pointy head

                  i have a esp george lynch serpent that has a 13 degrees tilted back headstock and it has similar sustain to my las paul. i guess, coming from a bolt on guitar the angled stock must contribute something.

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                  • #24
                    Re: Strat head VS Pointy head

                    Originally posted by deviltronix:
                    Fender won't license it out to builders or what .... consider "competition".

                    Guitar makers are competition.

                    All parts is not.

                    -Rich-
                    <font size="2" face="Verdana, Helvetica, sans-serif">
                    Originally posted by diablomozart:
                    they only license out to replacement parts companies...and those companies cannot put a logo on the headstock...d.m.
                    <font size="2" face="Verdana, Helvetica, sans-serif">Well, technically, Fender is licensing the strathead to Charvel now...that is a guitar company. [img]images/icons/grin.gif[/img] [img]graemlins/poke.gif[/img]
                    "Quiet, numbskulls, I'm broadcasting!" -Moe Howard, "Micro-Phonies" (1945)

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                    • #25
                      Re: Strat head VS Pointy head

                      Racer,

                      FMIC now owns the Charvel name, and the strat head shape. So technically they aren't licensing another builder to build them, one of their inhouse divisions (jackson/charvel) are building them.

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                      • #26
                        Re: Strat head VS Pointy head

                        No, actually I believe RacerX is correct. As I understand it, Jackson / Charvel is not a "division" of Fender. It is still a separate company, albiet one wholly owned by FMIC. Hence, FMIC authorized J/C to use the strathead shape pursuant to a licensing agreement. A legal technicality but, unfortunately, an important one with respect to using stratheads.

                        F'n lawyers. [img]graemlins/eyes.gif[/img] ...j/k! [img]graemlins/laugh.gif[/img]

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                        • #27
                          Re: Strat head VS Pointy head

                          Thanks, shreddermon, you clarified it well!
                          Mudkicker, I saw the licensing agreement in person - it's on the back of every Charvel stratheadstock now.

                          Too many people are forgetting that Jackson/Charvel is still an independent entity, just with a different owner.

                          Officially, they are now JCMI -
                          Jackson Charvel Manufacturing, Incorporated.
                          "Quiet, numbskulls, I'm broadcasting!" -Moe Howard, "Micro-Phonies" (1945)

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