Hey,
As I was experimenting with different tones, with the variable being the midrange, I noticed that when the mids are scooped, artificial harmonics become more difficult to produce, and contrarily when mids are present in a healthy amount, artificial harmonics just kinda leap out. Is there a reason for this? Or am I just a lazy player who can only get artificial harmonics to scream with mids, and it actually takes some skill to rip them out of a midless tone? I just wondered, because a lot of bands I know that hit artificial harmonics nicely have sucked mids...but then again, a lot of bands now that use a lot of mid range play around with artificial harmonics a lot. So what's happening here?
Cheers,
Nick
As I was experimenting with different tones, with the variable being the midrange, I noticed that when the mids are scooped, artificial harmonics become more difficult to produce, and contrarily when mids are present in a healthy amount, artificial harmonics just kinda leap out. Is there a reason for this? Or am I just a lazy player who can only get artificial harmonics to scream with mids, and it actually takes some skill to rip them out of a midless tone? I just wondered, because a lot of bands I know that hit artificial harmonics nicely have sucked mids...but then again, a lot of bands now that use a lot of mid range play around with artificial harmonics a lot. So what's happening here?
Cheers,
Nick
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